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Most popular womens perfume - by Yves Saint Laurent.

If, from New York to Paris and from Sydney to Peking, more than two million visitors have admired his creations in museums, his style is expressed first and foremost through colour, life, movement and the history of women, which he lovingly accompanies since 1958, the date of his first collection for Christian Dior, which made him famous all over the world.

Born in Oran, Algeria, in 1936, he was a mere twenty-one-years-old when, already, he was referred to as "Christian II". He founded his own house of couture in 1962, with Pierre Bergé, and, in 1966, his "Rive Gauche" line of ready-to-wear, which allowed thousands of women to blend elegance and comfort. Besides creating some of the most popular womens perfume, the bush shirt (1968) and the pantsuit (1969) became classics of the contemporary wardrobe. "A happy woman is a woman in a black skirt, with a black pullover, black stockings, a piece of costume jewelry and a man who loves her by her side."

In order to assert himself as the leading outfitter of his day, this aesthete succeeded, better than anyone else, in transcribing his dreams inspired by artists: Andy Warhol, Mondrian and Tom Wesselman during the sixties, Picasso in the seventies, Van Gogh and Bonnard in the eighties. His creations have always caused a scandal, from the first see-through blouses (1968) to his perfume, Opium, launched in 1977. But his strength is his ability also to embody absolute classicism, with Catherine Deneuve as his ambassador. As the heir to Chanel and Balenciaga, he remains true to their lines, uncluttered by detail: "Elegance is a way of moving".

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Yves Saint Laurent, a passionate collector and opera enthusiast, creator of most popupar womens perfume , remains one of the last great aesthetes at the close of this century. From Cyrano de Bergerac to The Two-Headed Eagle, he has created many costumes for the theatre, his first love. His art has become purer and, in a whisper of muslin, he recreates dreams worthy of a Botticelli, as if to say: "A man or a woman's most beautiful adornment is love."


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